I reread Self-Help by Lorrie Moore last weekend in bed while G. tapped away at my  laptop. I sat up against pillows, laid on my stomach, reclined on my side, crossed my legs as I held the book with its cracked spine close to my face, smelling the pages and pulp, maneuvering my way around the bed as I grew uncomfortable while reading. I don’t mean uncomfortable negatively so much as I mean that Lorrie Moore always seems to write things in such a way that they seem to hit too close to home. Moore crafts sentences in the most physical way imaginable, creating images that you have thought before but never found a way to describe. The concrete nature of her writing, of the images, makes her writing seemingly breathe with all of your senses coming alive from sights and smells both lovely and repulsive. “But I love you, he will say in his soft, bewildered way, stirring the spaghetti sauce but not you, staring into the pan as if waiting for something, a magic fish, to rise from it and say: That is always enough, why is that not always enough?” Lines like that leave you with little to say in comparison to what Moore has just told you.

I reread Self-Help by Lorrie Moore last weekend in bed while G. tapped away at my laptop. I sat up against pillows, laid on my stomach, reclined on my side, crossed my legs as I held the book with its cracked spine close to my face, smelling the pages and pulp, maneuvering my way around the bed as I grew uncomfortable while reading. I don’t mean uncomfortable negatively so much as I mean that Lorrie Moore always seems to write things in such a way that they seem to hit too close to home. Moore crafts sentences in the most physical way imaginable, creating images that you have thought before but never found a way to describe. The concrete nature of her writing, of the images, makes her writing seemingly breathe with all of your senses coming alive from sights and smells both lovely and repulsive. “But I love you, he will say in his soft, bewildered way, stirring the spaghetti sauce but not you, staring into the pan as if waiting for something, a magic fish, to rise from it and say: That is always enough, why is that not always enough?” Lines like that leave you with little to say in comparison to what Moore has just told you.

book #1 of 2010: brief interviews with hideous men by david foster wallace

suggested by monsterbeard

book #1 of 2010: brief interviews with hideous men by david foster wallace

suggested by monsterbeard

Enjoying living was learning to get your money’s worth and knowing when you had it.
- Chapter 14, The Sun Also Rises, Ernest Hemingway

Enjoying living was learning to get your money’s worth and knowing when you had it.
- Chapter 14, The Sun Also Rises, Ernest Hemingway

haiku for january 3rd, 2010

a book helps my mind
wander, roam where my feet have
yet to take a step

I really wanted to like this book, The Selected Works of T.S. Spivet by Reif Larsen. I took my time reading it and really hoped it would pick up but it just sort of lost me as it moved focus around to different subplots and away from the more interesting details and notes and asides. Meh.

I really wanted to like this book, The Selected Works of T.S. Spivet by Reif Larsen. I took my time reading it and really hoped it would pick up but it just sort of lost me as it moved focus around to different subplots and away from the more interesting details and notes and asides. Meh.

To my three fellow bookstore customers who just asked me for help in finding something:

Just because I’m wearing glasses, a pencil skirt, and a cardigan does not mean I work at a bookstore (but I will help you find those books because I do actually know where they are).

currently reading: 2666 by Roberto Bolaño

A group of us, which includes myself, walkwhilereading, printed&bound among others, has taken on the daunting task of reading all 912 pages of 2666. We will be posting about our progress here at the 2666 book club as well as reviews and thoughts on the novel as we read. If you’d like to be a part of this endeavor, please follow and read along with us.

currently reading: 2666 by Roberto Bolaño

A group of us, which includes myself, walkwhilereading, printed&bound among others, has taken on the daunting task of reading all 912 pages of 2666. We will be posting about our progress here at the 2666 book club as well as reviews and thoughts on the novel as we read. If you’d like to be a part of this endeavor, please follow and read along with us.

54 Best Books of the Decade; mostly in no particular order.

compiled & reviewed by Anaïs Escobar—this will be permanently in the links at the top of my main page below the writing archive if you need to find it in the future. reblog as needed.
1. The Brief Wondrous Life of Oscar Wao by Junot Díaz, 2007
2. The Amazing Adventures of Kavalier & Clay by Michael Chabon, 2001
3. Middlesex by Jeffrey Eugenides, 2003
4. The Road by Cormac McCarthy, 2007
5. Fun Home by Alison Bechdel, 2006
6. Extremely Loud and Incredibly Close by Jonathan Safran Foer, 2005
7. The Savage Detectives by Roberto Bolaño, 2007
8. Live from New York: An Uncensored History of Saturday Night Live by Tom Shales & James Andrew Miller, 2002
9. A Gate at the Stairs by Lorrie Moore, 2009
10. Sailing Alone Around The Room by Billy Collins, 2001
11. Running With Scissors by Augusten Burroughs, 2003
12. Invisible by Paul Auster, 2009
13. Livability by Jon Raymond, 2008
14. Lockpick Pornography by Joey Comeau, 2005
15. The Harry Potter Series by J.K. Rowling
16. Captain Freedom: A Superhero’s Quest for Truth, Justice, and the Celebrity He So Richly Deserves by G. Xavier Robillard, 2009
17. Littlefoot by Charles Wright, 2007
18. The League of Extraordinary Gentlemen, Volume II by Alan Moore & Kevin O’Neill, 2003
19. No One Belongs Here More Than You by Miranda July, 2007
20. Gilead by Marilynne Robinson, 2004
21. The Curious Incident of the Dog in the Night-time by Mark Haddon, 2003
22. 30 Days in Sydney by Peter Carey, 2001
23. The Plot Against America by Philip Roth, 2004
24. The History of Love by Nicole Krauss, 2005
25. Everything is Illuminated by Jonathan Safran Foer, 2002
26. The Last Samurai by Helen DeWitt, 2000
27. Born Standing Up: A Comic’s Life by Steve Martin, 2007
28. The Collected Stories of Amy Hempel by Amy Hempel, 2006
29. The Year of Magical Thinking by Joan Didion, 2005
30. The Housekeeper and the Professor by Yoko Ogawa, 2009 (US)
31. Me Talk Pretty One Day by David Sedaris, 2000
32. Super Spy by Matt Kindt, 2007
33. The Graveyard Book by Neil Gaiman, 2008
34. The Devil in the White City by Erik Larson, 2003
35. The Complete Persepolis by Marjane Satrapi, 2007
36. The Blind Assassin by Margaret Atwood, 2000
37. Jonathan Strange & Mr. Norrell by Susanna Clarke, 2004
38. The Puppet & The Dwarf: The Perverse Core of Christianity by Slavoj Žižek, 2003
39. Life of Pi by Yann Martel, 2001
40. Rose of No Man’s Land by Michelle Tea, 2006
41. Blonde: A Novel by Joyce Carol Oates, 2000
42. Marie Antoinette: The Journey by Antonia Fraser, 2001
43. All Families Are Psychotic by Douglas Coupland, 2001
44. Inés of My Soul by Isabel Allende, 2007
45. Oryx and Crake by Margaret Atwood, 2003
46. The Kite Runner by Khaled Hosseini, 2003
47. The Dante Club by Matthew Pearl, 2003
48. Zeitoun by Dave Eggers, 2009
49. The Bonesetter’s Daughter by Amy Tan, 2001
50. Mystic River by Dennis Lehane, 2001
51. Cecil & Jordan in New York by Gabrielle Bell, 2008
52. Yoga For People Who Can’t Be Bothered To Do It by Geoff Dyer, 2003
53. Bee Season by Myla Goldberg, 2000
54. The World Without Us by Alan Weisman, 2007

Best Books of the Decade: The Brief Wondrous Life of Oscar Wao by Junot Díaz

1. The Brief Wondrous Life of Oscar Wao by Junot Díaz, 2007

“But if these years have taught me anything it is this: you can never run away. Not ever. The only way out is in.”

There was a time when everyone was reading this book. My grandmother, the woman who coaxed out of me not only my love of reading but my love of writing, read it before me. I lived in Gainesville at the time and she called me and told me she was mailing me something. She told me about this book written by a Hispanic author and how it was this layered story about this “geek boy” as she called him, and that it felt like reading something entirely new. The wrapped package arrived with a card two or three days later and I sat down to read it in my apartment.

She was right. It read like something I had never seen in print before. This was a novel about Oscar, an overweight Dominican nerd who writes page after page of fantasy fiction, and his family, all of the different generations of it, and the curse that was on this family. It had Spanglish and the kind of English you don’t see in novels. It had page after page of nerdspeak and thoughts about how it felt to be an outcast (“You really want to know what being an X-Man feels like? Just be a smart bookish boy of color in a contemporary U.S. ghetto. Mamma mia! Like having bat wings or a pair of tentacle growing out of your chest.”) amongst others. It spoke in metaphor, made reference to Homer, and was occasionally formal. It’s spectacular. Junot Díaz is a man in love with not just the English language but language in general, honoring all forms of communication and creating a concise novel that remains sprawling in your mind for weeks after you read it.

It wasn’t just Hispanic people or literary nerds reading this book either. I began seeing groups of little old ladies carrying this book around, soccer moms, teenagers stretching their literary legs, every kind of person imaginable. Oscar Wao is a game changer, the kind of novel that no one can put down because it is a living, breathing document. It exists outside of Junot Díaz now because he has done the exact thing every writer hopes to do: write something that can stand on its own. There are good books that people read and discuss, and then there are excellent books that we lose ourselves in and truly experience in an almost physical way. This is one of those books, and this is why reading will never die because we seek to experience and recreate the best feelings that life gives us in the pages of a book. No matter who the character is, if it’s written well, written as a living, breathing human, we will always find parts of ourselves there.

Best Books of the Decade: The Amazing Adventures of Kavalier & Clay by Michael Chabon

2. The Amazing Adventures of Kavalier & Clay by Michael Chabon, 2001

I’ve only met one person who doesn’t like Michael Chabon and you know, I’m pretty sure that dude is a serial killer so it makes sense. This is my favorite Chabon novel which is really like asking me to choose among every gummi candy in the world, I like them all! The Amazing Adventures of Kavalier & Clay reads like the focus of the novel, that is, like a comic book. It just has that pace. It’s the story of two Jewish cousins, one American, one Czech who has escaped from the Nazis, and together they combine their artistic talents to create The Escapist, a superhero that has qualities of both boys. The Escapist becomes highly successful and their careers in comics take off. American involvement in WWII thickens the plot and we see our heroes struggle to deal with the circumstances of their lives. That’s a general description of the novel, concise and to the point. It hopefully makes you want to read the book. Yet all I want to do is describe to you how funny and human this book is, in ways that I, as a writer even, can’t put into words exactly. This feels like a story my grandmother would tell me after dinner, about our family and our history, it has that same intimate feeling of the oral tradition of storytelling. Depression era New York has never been more compelling, our heroes have never seemed so bright and engaging, and a story hasn’t been as warm and real as this is in a long time.

Best Books of the Decade: Middlesex by Jeffrey Eugenides

3. Middlesex by Jeffrey Eugenides, 2003

“I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.” This is Middlesex and yet it’s so much more. People toss around the word “epic” a lot when it comes to novels but this book is truly epic. Chronicling a family with dark secrets from their days in Greece to their emigration to the United States to their successes in this country both financially and socially, Middlesex is Eugenides at his best, writing in the same sort of lovely, cinematic way he did in The Virgin Suicides. I read this book over one weekend, over 500 pages that I tore through, lying in my bed and ignoring phone calls. You want to know what will happen, Eugenides seduces you with a tale that’s truly as epic as the mythology of Greece itself. Wonderful.

Best Books of the Decade: The Road by Cormac McCarthy

4. The Road by Cormac McCarthy, 2007

I spent ten minutes looking for a photo of this book’s cover without the Oprah Book Club sticker on it; get the fuck off this awesome book, Oprah. Cormac McCarthy is a genius, this is just a fact; The Road is the prime piece of evidence for this case. It is savage and gorgeous, if someone else had written this post-apocalyptic story about the survival of a father and his son, it wouldn’t have worked. McCarthy is the man to do it and not only do it well but redefine the novel itself. This is a grim tale, and it works because it is that grim, existing in the present so much that the past of these characters seems very far off. This book is not optimistic but it is wise.

I never travel without my diary. One should always have something sensational to read on the train.

— Alison Bechdel, Fun Home

Best Books of the Decade: Fun Home by Alison Bechdel

5. Fun Home by Alison Bechdel, 2006

It goes without saying that I love all the books on this list, especially the top 10, but this book, THIS BOOK, I adore. It’s not number one but it’s probably the one that makes me feel the most and is just so readable I’ve read it more than 10 times. Alison Bechdel is best known as the creator of the Dykes To Watch Out For comics, and in Fun Home, she gets more personal, creating a graphic novel autobiography of her life from childhood through her college years when she came out as a lesbian. The novel focuses on her relationship with her father, a closeted gay man, and his death when she was 20. It’s an intimate portrait of a family and a life with missed opportunities and chances. With allusions to James Joyce and Greek mythology, Bechdel has crafted a book that defies categorization and is absolutely stark and honest in its representation of family relationships. You NEED to read this.